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CommunicationRichard Shotton

The Framing Effect

Change the words, not the facts, to change how people react to the same thing

Difficulty
Easy
Time to result
~days to results
Steps
4
Confidence
90%

Loftus and Palmer's 1974 study showed subjects the same car-crash video, then varied one verb: cars that 'smashed' were estimated at 40.8mph, cars that 'contacted' at 31.8mph — a 27% swing from a single word. The lesson for marketers is that language is a free lever on perception. Peterson's study found shoppers who saw an out-of-stock item labelled 'unavailable' were markedly more irritated than those who saw 'sold out' — because 'sold out' quietly signals popularity (social proof) while 'unavailable' highlights logistical failure. The frame can be flipped in either direction: '75% lean' beats '25% fat' for identical mince; describing someone as 'a voter' rather than asking them to 'vote' recruits identity and raises follow-through. Framing also works on the self — reinterpreting adrenaline as excitement rather than danger.

Origin

Loftus and Palmer's 1974 University of Washington eyewitness study established the framing effect; Peterson (University of Texas) and Levin extended it to retail and product descriptions.

Core principles

  • 01People do not experience events, they experience the description of events
  • 02The same objective fact carries different emotional weight depending on wording
  • 03Choosing the frame that flatters your product is nearly free
  • 04The story you tell yourself about an experience shapes the experience

How to run it

  1. 1

    State the raw fact

    Write the objective, neutral version of what you need to communicate.

  2. 2

    Generate honest alternatives

    Produce several truthful re-wordings, each emphasising a different aspect (popularity, effort, benefit, identity).

    Pro tip Ask which psychological principle each frame taps — e.g. 'sold out' taps social proof.

  3. 3

    Select the flattering frame

    Pick the wording that produces the most favourable reaction while staying accurate.

    Pro tip Nouns that describe identity ('be a subscriber') often beat verbs that describe actions.

    Watch out Do not cross into false claims — framing reorders emphasis, it doesn't fabricate.

  4. 4

    Test and keep

    Run the strongest frames against each other and retain the winner.

In the wild

Unavailable vs sold out

In Peterson's ecommerce study, some shoppers saw an out-of-stock item marked 'unavailable', others 'sold out'. Irritation swung 15%: 'unavailable' spotlighted the retailer's logistical failure while 'sold out' implied the product was so popular it flew off the shelves — the same fact, opposite emotional charge.

15% swing in shopper irritation from one word.

Reframing adrenaline

Shotton beat a fear of flying not by calming down but by playing high-energy rap during take-off. Over time his body reinterpreted the adrenaline surge as 'how I react to this song' rather than 'we're about to die' — the same physiological signal, a new frame.

Fear of flying neutralised by reframing the bodily cue.

Common mistakes

Assuming facts sell themselves

Presenting a neutral or unflattering frame leaves persuasive value on the table when an equally-true alternative would land far better.

Emphasising the wrong element

'25% fat' or 'unavailable' draws attention to the negative dimension when the positive one ('75% lean', 'sold out') was equally available.

Is it for you?

Best for

Copywriters, marketers, and anyone whose message can be phrased more than one way.

Not ideal for

Contexts requiring strictly neutral, legally-precise language.

From the transcript

People do not experience events, they experience the description of events. And if you change that description, you can radically change people's reaction.

Richard Shotton

The group who heard the words smashed... think it's 40 miles per hour. The group that heard the verb contacted, they think it's 31.8 miles…

Richard Shotton

From the episode

8 Psychology Hacks Behind The World’s Biggest Businesses - Richard Shotton - #626

Richard Shotton